The Gloria was designed as a smaller version of the great movie palaces of the era and was lauded for the grandeur of its architecture and design. However, the theater's eye-catching wall paintings stole the show and became a source of mystery. Italian artists from New York executed their work on canvas, but the actual artists' names were left unmentioned.
When the College of Charleston purchased the theater, acoustic tiles covered its walls. During renovations in 2011, the workers removed the tiles and discovered the two large-scale murals hiding beneath the tiles. Apparently, the College was unaware the famous murals were underneath. The south mural had to be removed temporarily due to severe damage. The north mural remained on display, despite having suffered damage and deterioration. Much of the restoration work would involve remediation of the many spots of tar used to attach the acoustic tiles to both murals decades ago. Renovations included the preservation of the theatre's illuminated blue dome and twinkling stars and restoring the south mural to its original location. The most recent large-scale renovation was completed in 2020.The College of Charleston's historic Sottile Theatre serves as a performance and event venue for the College and the community, including operas, plays, musicals, ballets, concerts, and receptions and conferences. In addition to the 785-seat theatre, the facility offers several lobby areas, an outdoor balcony terrace, and a garden for reception venues.
My partner and I attended the Grande Serenata, a concert of operatic hits by the Charleston Opera Theater. It would be my first operatic concert, aside from an introductory hour-long opera performance we attended at the Charleston Library Society on King Street.
All performances were sung in a foreign language, so if you do not speak those languages, it is not about the words but the power with which they are sung and the music played by the accompanying orchestra. The high level of pitch the woman singers reach is almost glass-shattering, and there were a few of those moments. A screen above the stage displayed the translation, but you could tell what was going on by the body language and facial expressions, and you would miss that if you looked away. One segment was performed in English to honor the Irish festival celebrated that day.
The orchestra was superb. I am not an opera aficionado, so I will just say the featured singers were operatic. Two College of Charleston Artists in Residence, Abigail Erin Oldstrom and Halis Runk, were highlighted in a duet. The stage lighting was captivating and set the mood for each set. The theater was impressive and the seating was comfortable with plenty of leg room.
Grande Serenata was a suggested black-tie event but not required. It felt good to dress to impress, and I pulled out all the guns with a blue-black feather bow tie and brown Steve Madden shoes. I am for experiencing everything, so I can say I did it. So, I did the opera, and frankly, I enjoyed it. I just might do it again. The best part is I shared it with a special friend, and you can not beat that. The evening began with a dinner at Fast and French, making it a complete and satisfying outing. Hey, it's Charleston. So much to offer, so much to do.
The College of Charleston Sottille Theatre is a beautiful venue with an illustrious history and lots of good entertainment on schedule. Sophisticate yourself and check it out.
44 George St, Charleston, SC
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