The Charleston Music Hall is one of the oldest buildings on the block and was designed by Charleston architect Edward C. Jones to resemble a Medieval castle. Known historically as The Tower Depot, it was built in 1849-50 as a passenger station of the South Carolina Railroad. The building's most impressive feature was its three-story tower.
The Tower Depot was one of several buildings and part of a larger complex called the Camden Depot. It closed in 1853. Following the Civil War, the Charleston Bagging Manufacturing Company began building complex mills around the vicinity and bought the building on February 6, 1878, to include in their factory.
The Charleston earthquake of August 31, 1886 destroyed the three-story tower. Most of the building was torn down, with the remaining being used for storage. The Bagging Company closed during the Great Depression in the 1930s. The building then passed into the hand of the Chicco family.
The building sat vacant and derelict for sixty years until finally, in 1995, the Bennett-Hofford Company facilitated its amazing transformation into an arts venue called the Charleston Music Hall. They created a first-class performance space that retained the original historical Charleston-style aesthetic. Its goal is to create extraordinary musical, artistic, and theatrical experiences and promote the finest local, regional, and national acts while encouraging local and communal participation. It has hosted a myriad of acts since its opening. November 2022, the stage was set for saxophonist extraordinaire Boney James and Company.
James Oppenheim spent his early teen years in New Rochelle, NY. He took up the clarinet at age eight, switched to sax when he was ten, and also learned to play keyboards. At 19, while earning a history degree at UCLA, he started playing in the fusion band Line One. He worked in a pizza joint to pay the bills, auditioned for Prince associate Morris Day's band as a keyboardist in 1985, and got the gig.
Boney James was familiar with the difficult life of a touring musician. During a low-paying 1987 European tour with vocalist Randy Crawford, his now-famous name surfaced. "We were in Norway doing an extended gig, and it was only paying $30 a day, which didn't cut it," said James. "They said I'd end up being 'Boney' James. Sekou Bunch, the tour's bass player, kept introducing me as 'Boney.' The next thing I knew, I had a nickname. A lot of my musician friends thought of me as Boney. The record company said that Oppenheim was not very catchy and that we needed to do something with the name. I said I had a nickname, and when I told them what it was, they loved it." It became his performing name when he cut his first album. The rest is history.Boney James is a four-time Grammy Award nominee, a Soul Train Award winner, and received two NAACP Image Award nominations for Best Jazz Album. He has sold over three million albums and accumulated four RIAA Certified Gold Records. In 2009, Billboard magazine named James one of the Top 3 Billboard Contemporary Jazz Artists of the Decade.
Boney James was outfitted in his signature apparel--a black Fedora hat, dark jeans, spiffy sneakers, and a crew neck shirt with a suit jacket. He was accompanied by Big Mike Hart on guitar, keyboardist Jonathan Richmond, drummer Omari Williams, and bass guitarist Smitty Smith. You could see and feel the chemistry between the group. In the audience, heads swayed side-to-side while bodies gyrated to the explosive rhythms. The drummer blew the roof off the building with a booming and powerful solo. Big Mike soon followed with an electrifying lick on his guitar. Boney James was phenomenal as he gracefully moved across the stage connecting with his enthralled audience.
Photos and video by Anne-Merle Bryant
37 John Street, Charleston, SC, 843-853-2252
Box Office Hours: Thursday and Friday 10 am-3 pm
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