Showing posts with label entertainment. Show all posts
Showing posts with label entertainment. Show all posts

Saturday, December 6, 2014

The "Ville" Is Alive With The "Sound Of Music"

It was "clothes from curtains" up for the opening performance of "Sound of Music" at the James F. Dean Theatre on December 5th--the enduring musical inspired by the music and lyrics of Richard Rodgers and Oscar Hammerstein II. The message from the melodious sound was loud and distinct--don't miss the remaining performances.

"Sound of Music" is a book written by Howard Lindsay and Russel Crouse turned into a musical loosely based on Marie Von Trapp's autobiography "The Story of the Trapp Family Singers." The original Broadway production starring Mary Martin and Theodore Bikel opened on November 16, 1959. Probably, the most remembered of the adaptations was the film released in 1965 starring Julie Andrews and Christopher Plummer.

Veteran director Monica Shows and musical director David McLaughlin pinned down a worthy cloud of singers and performers. From the collection of ladies portraying the symphonic nuns to the group of youngsters portraying the children of the Von Trapp family, they pooled together a successful partnership of talent. The youngsters ranging in age from 6-17 were a joy to watch and at times provided the "Ah" factor.

Set design was detailed elegantly with smooth transitions between changing scenes, which was creatively supported by the use of a blank curtain. The costumes were numerous and colorful thanks to Patti Kelly and team. Daniel Lungs choreographed dance scenes were executed well.


How did Monica and David solve the problem called Maria?--Sarah Farra. With excelling versatility and colorful body language, Sarah showered the stage with Champagne enthusiasm from the moment she descended the theater stairs. As the free-spirited, free-singing governess, her excelling moments were her interactions with the cast of Von Trapp children beginning with "Do-Re-Mi." Suitably paired with Sarah as the strict, military father was Keith Timmons(Captain Von Trapp). Keith graced the stage with the necessary determined and polished deportment reflected in his character, but puts you at ease with his soothing, baritone voice.



Olivia Juretich was a standout as the 16 year old love-struck Leisl. Her collaboration with Chase Street(Rolf) in "Sixteen Going on Seventeen" was a play highlight—both demonstrating controlled vocals and dance moves. Matt Sims(Max Detweiler) opportunistic ways and quirky sophistication provided some laughs. Cynthia McLaughlin as the understanding and authoritative Mother Abbess blew the top off the Austrian Alps with her operatic vocals. Congratulations to the whole cast and crew.



After returning home from the after party, I am not embarrassed to admit I caught myself singing some of the lyrics from play favorites like "Maria," "Do-Re-Me," and "My Favorite Things" to name a few. It’s just that kind of play and that kind of music. It is old-fashioned. It leaves you with a warm feeling. It leaves you with the idea light and virtue can still triumph in an otherwise dark and cruel world. "Sound of Music" is a play that grows on you like Edelweiss on the Alps and the Flowertown Players in Summerville.




Von Trapp Children - Group 1
Friederich, age 14-Trevor Bierd
Louisa, age 13-Riley Hatch
Kurt, age 11-Taran Gabriel
Brigitte, age 9-Lilly Smith
Marta, age 7-Caitlyn Campbell
Gretyl, age 6-Alana Armenti


Von Trapp Children- Group 2
Friederich, age 14-Andrew Hebert
Louisa, age 13-Rayleigh Deaton
Kurt, age 11-John Luke Taylor
Brigitte, age 9-Julia Maguire
Marta, age 7-Alanna Campbell
Gretyl, age 6-Lexia Woods

Purchase tickets at Flowertown Players.


Sunday, August 3, 2014

"Hairspray" Immerses You Into An Energized Blast Into The Past--Now Playing in Summerville

Without splitting the hairs of Penny's bouffant hairdo, the Sixties have been perceived as a decade of change. Some denounced it as a time of irresponsible excesses, flamboyance and social upheaval while others celebrated it as an era of cultural and social revolution inspiring changes in clothing, music, dress and forcing the relaxing of taboos related to race and sex.

Well, good morning Summerville, the Sixties inspired musical, Hairspray, is bringing it all back for a two week romp and on opening night sprayed its feel-good stickiness all over the stage of the James F. Dean Theater.

On Friday night, the community theater on Hutchinson Square was the place to be. Upon entering the modest entryway at the top of the steps and rounding the corner into the auditorium to claim my seat, I sensed something huge was about to be unleashed. From the moment Tracy Turnblad descended the stairs of the darkened theater bathed in the rays of a spotlight singing "Good Morning Baltimore" to the final triumphant, standing ovation chorus, the sold out crowd was immersed into a energized blast into the past.

Director David McLaughlin uncannily assembled a cast eerily reminiscent of the 2007 musical film of the same name starring wildly versatile John Travolta(Edna Turnblad), Queen Latifah(Motormouth Mayebelle), Nikki Blonsky(Tracy Turnblad), Zac Ephron(Link Larkin) and beautiful Michelle Pfeiffer(Velma Von Tussle) in his selection of Chris Williams, Denetra King, Alex Shanko, Christopher Berry, and Sarah Farra for corresponding roles.


Chris Williams as shy, plus-sized Edna Turnblad was a stand out--comically convincing in every respect from his pantyhose to his curlers. His rendition of "Timeless To Me" with Robert Venne as goofy, madly in love with his wife Wilbur Turnblad was heartwarming.

Denetra Williams as Motormouth Mayebelle was vocally superb. This was Denetra's first production for the Flowertown Players and said, "I am loving it." She rocked the house with "Big, Blonde and Beautiful" but brought the house down with her inspirational performance of "I Know Where I've Been."

Tracy Turnblad is the lead character the play revolves around. She is a "pleasantly plump" teenager, who dreams of fame and Link Larkin, and ultimately fights to racially integrate The Corny Collins Show. It was unmistakably obvious Alex Shanko owned her part and loved every minute of it. Her opening execution of "Good Morning Baltimore" was performed well and set the tone for the rest of the play..

Christopher Berry fit the bill as the Corny Collins Show teenage heartthrob, Link Larkin. He had the Sixties rock n' roll thing going on with the "do" and the gyrating moves akin to hipster Elvis Presley. Even more impressive was his acrobatic body flip during a sequel in the first act.

Which now brings me to the malevolent and beautiful, but scheming mother of Amber Von Tussle and producer of The Corny Collins Show, Velma Von Tussle, played by Sarah Farra. Crowned Mrs. South Carolina in 2011 and thrilled to be part of the cast, Sarah's moves on stage were captivatingly chic. You will end up hating to love the cheeky ways of her character.


Finally, Kelly McDavid's portrayal of slightly flaky but pert Penny Pingleton was amusingly entertaining, at times reminding me of the crazy antics of Carol Burnett. Kelly's past achievements include being nominated for "lead actress in a musical" at the 2013 Theatre Charleston Awards as Velma Kelly in "Chicago" where I described her as "unshakably confident and her dance routines were executed with audacious swag." Two characters on the opposite end of the spectrum, Kelly demonstrated her resourcefulness once again.


Other notables were Melissa Frierson(Amber Von Tussle), J.D. Lewis(Corny Collins), and Treshawn Ford(Seaweed J. Stubbs). The set was bright and colorful. The record album painted on the floor genius. Costumes all 60's appropriate and well done.

Congratulations to the entire cast and crew for their successful, near perfect execution of Hairspray with just a couple of hiccups in the dialogue. Hey, they are only human. Opening night exceeded all expectations. With 10 shows to go, it will be a tough act to follow, but I know they will be up to the task.


Purchase tickets for Hairspray.

Thursday, April 17, 2014

The Scarlett O'Hara of Summerville Past And Her Tara--An Epic Story

Scarlett O'Hara is the protagonist in Margaret Mitchell's "Gone with the Wind"--the 1936 novel that became an epic film in 1939. In the original drafts, Mitchell named her character Pansy, but just before going to print she changed it to Scarlett; a more fitting name for the fiery, shrewd, opportunistic character who had no qualms about doing what was necessary to survive and succeed. Years before Mitchell created her character, an early Summerville resident by the name of Sara Woodruff in many ways embodied those characteristics, but in a delightful way. She is the Scarlett O'Hara of Summerville and her Tara was White Gables.


White Gables was built by the Peake Family somewhere between the 1830's and early 1850's. A three-story house with 12 rooms, three halls, five baths and three porches, it was designed in the Classic Greek Revival architecture with a southern flavor. The first floor structure is formidable with double brick walls over 18 inches thick, 9 foot ceilings, plastered walls, pegged solid shutters, wainscoting and molded chair rail throughout the rooms. The second floor has 14-foot ceilings featuring wide cornices and carved medallions. The original house had double piazzas front and back; the back piazzas were altered later in its history. A conservatory was also later added to the property. It was once chosen by the Preservation Society as an outstanding representation of period architecture.


In the early 1900's, Sara developed a fondness for the near 65 year old house located on the corner of Richardson Ave and Palmetto Street. What happened next gave birth to her distinguished story and White Gables fame. Both fascinating and amusing, it is a story unlike any other in Summerville history.

Sara was married to Harry Woodruff, a Charleston station master who was somewhat of a big spender and had a weakness for gambling. A family story reported he lost downtown Houston in a card game in Texas. A constant concern for Sara, she worried about their finances and because Harry was 10 years older than herself, she worried about being left with no income and children to raise. To ensure the families success and survival, she put in motion a shrewd plan.

Harry had returned to town from business for the railroad and as usual, was met at the Summerville train station by the family retainer with his horse and carriage. But to Harry's bewilderment, upon leaving the station, they did not take the customary route home. Puzzled, he asked the driver, "Where are you taking me?" Unknown to Mr. Woodruff his home address had changed while he was away. Sara had purchased White Gables.

The Woodruff's were a very traditional Southern family. Always respectful of her husband, this was certainly a bold move on Sara's part. Still, she had no qualms about buying the house and property without her husband's knowledge. Despite the deception, Mr. Woodruff appreciated Sara's resourcefulness and all the family came to love their new home.

It was the Golden Years for the Inns of Summerville. Sara watched with curious interest as the influx of visitors from Charleston and places beyond stimulated the local businesses and potentially profitable opportunities. The Pine Forest Inn, Carolina Inn, the Halcyon Inn, and others were all thriving. She envisioned White Gables with its three servants cottages as a potential source of income for the future. Then one unsuspecting day, opportunity came rocking on her porch.


One day, coming out her front door, she found a man sitting on the porch swing. He had been walking around town looking for a place to stay, got tired and sat on the porch. He introduced himself as Henry Clay and related how he had been sent to Summerville by his doctor for the turpentine rich air, being an asthmatic. Sara left Mr. Clay with a glass of lemonade and an invitation to talk when she got back, which they did, and Mr. Clay became her first boarder.

The story does not end there. It seems Mr. Clay was a paying guest on the third floor of White Gables for almost four years without Mr. Woodruff ever knowing it. You see, Mr. Woodruff was a very regimented man and did things to a particular schedule. Except for his own rooms and the first floor parlor, he never went in any other part of the house or showed an interest in what else went on. On the other hand, as part of the strict terms laid out by Sara, Mr. Clay agreed to stay in his room during the evening hours, only venturing to the downstairs during the day.


From 1914 to 1939, Sara's White Gables was famous for Summerville hospitality. Ten months out of the year visitors, many from Charleston and some nationally famous people, rented the three cottages on the property and boarded rooms in the house. It became the financial success she envisioned and the security she scrupulously and shrewdly planned for. Considering all of this narrative, she is the Scarlett O'Hara of Summerville.


White Gables is presently for sale. If you would love to own a famous piece of Summerville's glorious history, this is an the opportunity. You can purchase it for $649,000. The day I visited the property, I sat on what quite possibly was the swing Mr. Clay sat on over a hundred years previous and talked about its history with a gentleman who lived in the conservatory.

A historical note: During the Civil War, Mr. Peake was away on business in Columbia. With the home vacant, he was concerned the Yankees would occupy it. To prevent this, he asked the Jamison Family to live in the house until his return.

Saturday, March 29, 2014

"Catfish Moon" Will Tickle Your Funny Bone And Reel In Your Heart--Now Playing At The James F. Dean Theatre

Outside on Summerville's S. Main Street adjacent to the Town Square, the newly installed marquee of the James F. Dean Theatre brightly lit the front entrance. Inside the rejuvenated community theater, the prop lighting radiantly illuminated the beautifully prepared set--an assemblage of weathered timber fashioned into a rustic, old fishing pier overshadowed by moss-laden trees and unforgotten recollections. But the most brilliant luminary of the celebratory evening was the magical, celestial light fondly remembered as the "Catfish Moon."

The fishy sounding full moon and weatherworn pier are literally and figuratively significant  pieces in the puzzling lives of the three long-time friends featured in Laddy Sartin's touching and lighthearted play reflecting the true meaning of the words, "Let's go fishing." A resident of Rock Hill and Mississippi educated, Sartin understood small town, southern ways and catfish angling with alligators.


A favorite hangout when they were kids, where after skipping school the threesome would skinny dip, woo girls, and go on overnight fishing trips, the old pier in many ways had become the mirror image of their relationships--weather beaten, neglected and in serious need of loving care.

Successful in business but left lamenting, "There is more to life than the almighty dollar," Curley(Barry Gordon) was the big brother of the group. Sensing time was running short on their fractured friendships, he sets out on a plan to put in motion the healing process by recapturing their youthful glory days. He invites Gordon(Ernie Eliason) to meet him on the old pier where they share drinks and reminisce--no beer for Gordon who was an alcoholic.

Curley takes the opportunity to address the on going feud between fun-loving Gordon and short-tempered Frog(Chad Reuer) worsened by the fact Gordon, described by Frog as "a person who doesn't know the meaning of moderation," had developed a love interest in Frog's ex-wife Betty(Shannon Johnson); also Curley's sister. With this rendezvous, a sequel of events are thus put in motion that takes you on a trip down memory lane, stirs your passions, tickles your funny bone, and breaks your heart.


The superbly crafted props and artfully appointed scenery were mesmerizing. I had to restrain the urge to jump on stage and join Curley and Gordon on the pier, crank the top off a couple of beers, and shed a few clothes. "I spent a long evening meticulously hot gluing the grassy weeds to the stage floor," Chrissy Eliason recounted--the set designer, director and driving force behind the perfectly casted actors.

So convincing were the cast's performances, you forgot you were sitting in a theater and not observing real life unfold before you. As the goofus of the trio who couldn't control his fishing rod any better than he could his drinking habits, Ernie Eliason delivered a top notch performance demonstrating both versatility and temperament; transforming himself into a love-smitten fool one minute and a drunken fool the next.


Barry Gordon, southern boy born and raised on Savage Street in Charleston, skillfully charmed his way through his role like the dying with dignity, southern gentleman he is while tough guy Chad Reuer provided the fireworks and validated the quote, "Your acting like a big baby." See the play and you will know what I mean. And equally notable, Shannon Johnson sweetened the cast with her irrepressible smile.


So, if you appreciate the value of friendship, love to laugh, and believe in second chances, "Catfish Moon" will brighten your smile, warm your soul, and illuminate your heart. It is a must-see.

Things just keep getting better and better at the James F. Dean Theatre. You can purchase tickets at Flowertown Players.

Monica Shows-Assistant Director; Jane Batten--Stage Manager; Scenic Artist--Robert Maniscalco; JC Conway--Lighting and Sound Design; Makala Becker--Light Board Operator; Jeff Wolf--Sound Operator

8 PM shows: March 28 and 29; April 3, 4, and 5; April 10, 11, and 12
3 PM shows: March 30; April 6; April 13

Friday, March 7, 2014

Summerville's "Crime Of The Century" Needs Solving--Get Your Sherlock Holmes On And Join The DREAM Team Downtown March 20th

The beloved Mayor of Summerville, Bill Collins, has been ruthlessly liquidated. Preliminary reading of the sweet tea leaves are pointing accusatively towards local business owners as likely suspects.

The Summerville DREAM Team has been assigned the difficult task of investigating the case and are imploringly requesting the assistance of all residents and visitors to solve the mysteriously shocking and perplexing incident. "Who did it", "what did they do it with", and "where did they do it" are the three parts of the case needing a resolution.

March 20th, Third Thursday, Summerville will be transformed into a game board patterned after the murder-mystery game sold by Parker Brothers called Clue--invented by Mr. and Mrs. Anthony Pratt of Bournemouth, England and originally published by Waddingtons in Leeds, England in 1949 called Cluedo. No description of the games components is presumably necessary--Clue has a wide distribution and is considered one of America's favorite classic board games.

As a young child I, like many of my contemporaries, spent countless hours playing this addictive game. As a result, I became quite skillful at going from room to room collecting clues, employing cutthroat strategies such as misdirection, and ultimately arriving at the correct assumptions--with the assistance of a high role of the dice, which is key to quickly moving around the board in collecting the necessary clues. In the Summerville version, how quickly you move from clue to clue will be totally dependent on your fleetness of foot or as Sherlock Holmes would say, "The game's a-foot."

The fun begins at 5:00 pm. Clues will be spread throughout the various stores and restaurants in the downtown district of Summerville. You will have just three hours to collect and solve the case. Your due diligence will pay off--prizes will be handed out.


For background music, the Vistas will be performing on Hutchinson Square and at the end of the Square near the railroad tracks the 'Wounded Warriors' will be visiting to take pictures with you and share their stories. Expect to see 25-40 bicycles.

Also, make it a point to stop by the Summerville Dorchester Museum for "Tales of Summerville" history talks presented by Dr. Ed West.

Three more birds will be released as part of the ongoing B.I.R.D.S. Project and maps for the Summerville ROCKS will be distributed.


So, join the fun. Get your Sherlock Holmes on and solve the murder-mystery. Your favorite, local business just might be implicated in perpetrating Summerville's crime of the century in Lookin' Local.

Other notable events to consider in March are the Summerville Trolley Tours: March 14, 10:30 am, Historic City Tour with tour of Timrod Library and 1:00 pm, Historic City Tour with Tea at the Museum. March 21, 10:30 am, Good Eat on the Sweet Tea Trail Tour with storyteller Tim Lowry and 1:00 pm, Historic City Tour with Tea at the Museum. Visit lowcountrylooptrolley to reserve your spot on the trolley.

Friday, January 10, 2014

The Specter Of Change Arrives In Summerville Once Again-A Welcomed Visit

Change has been a persuasive specter in Summerville, appearing at times in different forms and making its presence felt over the passing years. Transformation, metamorphosis, development, modification, transition, contraction, refinement, destruction and reconstruction are just some of its hauntings. Sometimes visitations have been spontaneous and sometimes coerced, sometimes unwanted and sometimes welcomed.

This specter of change has returned to Summerville recently, but this visitation has been coerced. And if your powers of observation are acute, you would have perceived its presence downtown, taking the form of reconstruction.

Our community theater is getting a long needed facelift with a new marquee as the primary feature. This will be the third marquee since the theater was first built around 1935. The second marquee change took place during its much needed renovation when the theater became the home for the Flowertown Players around 1976. The new marquee will be a return to the look and feel of the original with some slight differences.




As part of the change, the brick flower boxes have been removed and needed repairs to the masonry are being addressed. If everything goes according to plan, the new marquee will make its debut within the next two weeks - just in time for the Flowertown Players next production of the Tony Award for Best Musical and the Pulitzer Prize for Drama winning musical Rent.

Rent, music and lyrics by Jonathan Larson, is based loosely on Giacomo Puccini's opera "La bohème." The off-Broadway show debuted exactly 100 years after Puccini's opera of 1896. On Broadway, it had a 12-year run of 5,123 performances and became the ninth longest-running Broadway show at the time. The production grossed over $280 million.

With their presentation of Rent, the Flowertown Players will be venturing into uncharted waters - it deals in adult rated material. The setting of the play is in New York City's Lower East Side during the thriving days of Bohemian Alphabet City, the artsy avant-garde neighborhood of marginalized artists, writers, journalists, musicians, and actors of Manhattan. Bohemianism was the practice of an unconventional lifestyle and Bohemians were associated with anti-establishment political or social viewpoints, which often were expressed by artists, writers, journalists, musicians, and actors through free love, frugality, and voluntary poverty.

This production of Rent follows a year in the life of a group of these impoverished young artists and musicians struggling to survive in that Lower East Side environment of New York City - falling in love, finding their voice and living for today. The cast consists of 20 of our locally dedicated actors.

On my recent visit to the James F. Dean Theatre, I got a preview of the near-completed set and a peek at Mark Gorman, Artistic Director of South of Broadway Theatre Company, and JC Conway working through procedures involved in setting the final mix of the scripts lighting cues. The play will open Friday, January 17th. I look forward to seeing some of you then and everyone else stay-tuned for my after-opening night review.

Saturday, April 6, 2013

Flowertown Players Present "Much Ado About Nothing"- A Humorous Shakespeare Play Done With Pirates

The first day of the Flowertown Festival had ended, which I had attended earlier. The Smoke at the Lodge was underway and I could hear the music of the bands playing across the street. I was now back in town to attend a play at the James F. Dean Theatre called Much Ado About Nothing. I planned on enjoying a glass wine before the show at Accent on Wine. I was surprised to see there were numerous parking spaces available on Hutchinson Square. I made the short walk from where I parked to Accent on Wine. It was packed with patrons. I engaged in some brief small talk and savored a glass of Pinot Noir. I was now primed and ready for the evening.

Much Ado About Nothing is a comedic play by Shakespeare about two pairs of lovers with two different approaches to their relationships and the part their associates play in their success in love. Benedick's and Beatrice's relationship is somewhat antagonistic because of their outspoken disdain for love and marriage. Claudio and Hero are two young people who are rendered near speechless in their love for one another, but there is villainy a foot. This is pretty much the premise of the play. Now, present all of this with pirate's as the characters. But these are sophisticated pirates and you will hear no "arghs" or "shiver me timbers".

Shakespeare's plays can be very daunting with its voluminous dialogue and biblical dialect. It takes a little time to acclimate your ears to the vocabulary and to navigate through the interchange to understand what is unfolding and if you pay attention, in time it makes complete sense. The last time I heard this much Shakespeare, I was watching Star Trek VI: The Undiscovered Country.

The cast of Much Ado About Nothing handled the Shakespearean lingo eloquently. There were no noticeable hiccups or bumps in their elaborately interconnected conversations and with all the action and movement on stage throughout the play, it all came off without a glitch. If there were any glitches, the cast and crew covered them very nicely. Chrissy Eliason, stage manager, did an excellent job in managing its coordination.


The play has a very large cast and its successful presentation was due to all involved. Cast members, Ernie Eliason(Don Pedro), Brent Dorwart(Claudio), Shannon Marie Johnson(Innogen), David Hatch(Benedict), Emma Scot(Beatrice) and Tiffany Eliason(Hero), portrayal of their characters was engaging. The sparring scene where David Hatch and Emma Scott crossed blades was entertaining and well choreographed.



I particularly enjoyed Adrianne Dukes's(Dogberry) and Dody Jean Gaston's(Verges) collaboration on the constable and the constable's partner. They reminded me of Laurel and Hardy at times. Adrianne's dialogue was particularly tricky since it consisted of malapropisms, which is defined as the use of an incorrect word in place of a word with a similar sound, resulting in a nonsensical, often humorous utterance, also known as a Dogberryism, so named for this character. She was also amusing both in her acting and costume.

Not to leave unmentioned, Ernie Eliason and Robert Venne did a top notch job on the elaborate scenery with its crow's nest. The portrait was a nice touch. I raise a mug of grog in a toast to the whole cast, crew and director, Alex Smith, for their hard work and a pleasant evening.


Spend a night at the James F. Dean Theatre in the coming week. There isn't much you can do about nothing, but Much Ado About Nothing is worth the effort to come on down to the theater for an evening, especially if you like pirates and Shakespeare. For a unique night of fun, the Flowertown Players are offering a Dress-Like-A-Pirate Night on Thursday April 11th. Dress up like a pirate and receive $10 off at the door. Purchase tickets here.

Tuesday, October 23, 2012

Sunday's Cornhole Tournament Organized By AZALEA Magazine In Summerville Was Great Competitive Fun For All

While visiting my son back in Ohio some considerable years ago, he asked me if I would be interested in playing a new game he made. We went out to his backyard where two rectangular boards with a hole near the top was setup on his lawn. Six brightly colored bags were laying on one of the boards. I asked, "What do you call this game?" "Cornhole," he informed me. He proceeded to explain the rules and the scoring.

I picked up one of the bags and for want of a better word, mushy came to mind. I tossed it toward the opposite board. I would like to say it slid into the hole, but truth be told, it slid off. It was my first exposure to this engaging pastime that has found its way into just about every tavern and bar since. Quite interestingly, it is believed cornhole's uncertain beginnings were in Ohio, Cincinnati to be exact, but I am positive some ancient group of people played something similar to cornhole somewhere in this big world. We just haven't dug around in the right pile of dirt yet.

Recently, I met a talented young woman while attending a tech meeting in Charleston. She introduced herself as the director of marketing and art management for Art Spaces. Her name is B. Vordai. In the course of our conversation, Vordai also revealed she is a certified cornhole manufacturer. I didn't even know there was such a certification. But with everybody and their brother making the game these days, certain specifications must be maintained to keep its integrity in tact, like an official NFL football or professional major league hardball. By the way, footballs are often called pigskins, but an official football is made of genuine leather. Regulation cornhole bags are made of duck cloth and filled with corn.

While my son's cornhole set was finished with a high gloss polyurethane, many of the boards you see today are painted, and not just plainly painted. Many are covered with logos of their favorite sports teams, businesses, or just about anything the imagination can conjure up.

An obvious bi-product of all these games is the tournament, which is the main reason for this post. I just participated in a tournament sponsored by AZALEA Magazine of Summerville. The location where all this bag throwing took place was Short central in front of O'Lacy's Pub. The top prize was a trophy and a cornhole set with trophies also going to second and third place finishers. Keri Whitaker was my team partner and our team name was White Gables.


The teams were arranged into brackets and the winner of each bracket would move on to the next. Fairly simple arrangement. The first round of games would be decided by a best of three. After that, it would be single eliminations until the championship, which would be decided by a best of three.

When Keri and I first arrived on scene, we decided a few warm up tosses were warranted. So, with our first beer in hand, we cow pied a few, after which I checked out the competition. There were many different styles of tossing. There was the high toss, the flat toss, the flat-spin toss, and the backhand toss. There was even one person who pinched the cloth between two fingers and tossed it. The competition was going to be stiff.

The start time finally arrived. The first game proceeded slowly. At the beginning, there were many dirt bags tossed by both teams and each covered point for point. We cornholed a few and jumped out into a considerable lead once we hit 10, and then experienced a slump upon reaching 17. It was now 17-12. The opposing team picked away at our lead and the game was tied up at 20-20. It was anybodies game now. The tension was high. It came down to me. My first toss slid off and my opponent aced. I aced the second and my opponent missed. I cornholed the third, while he aced his third. I aced the fourth, so now the pressure was on my opponent. He needed a cornhole to stay alive, which he did not. First game over.

In the second game, we cruised into a big lead quickly, 8-0. Once again we cooled off and they picked away at our lead until it was 16-12. Keri then scored a Leprechaun, four bags on the board. It was 20-12. Only one point was now needed, which I failed to get on my next four tosses. Keri likewise missed on her next four tosses, but on my next round of tosses I got an ace and a slider. We took the first round.

The second round was going to be tougher. It was a one game elimination, so there was no room for error. We were playing against the Bama Buckeyes, fellow former Ohioans. We scored three points and they scored four. From there it was pretty much over for us. Every time we would ace, they would ace twice. Every time we would cornhole, they would cover with two. We couldn't get a single point. It was now 20-3, their favor. Our competition then proceeded to cornhole a shot. Keri needed to cover to stay in the competition. Her next shot would have been a good instant replay. She got nothing but hole. The elation was very short lived because our opponent cornholed his next shot. No trophy for us. None-the-less, it was fun Sunday afternoon in Summerville once again.

All thanks to AZALEA Magazine for organizing the event and its sponsors. AZALEA Magazine's beautifully arranged pictorials and commentaries are dedicated to celebrating  the best of Summerville through its novel look at the region's history, culture, and residents. Throughout its pages you get a close-up, intimate look into the lives of its unique personalities-their skills, their homes,  and their impact on the charisma of the Lowcountry. Pick one up and take a look. After perusing its pages, you will have a greater appreciation for the reasons people keep coming back to the number one destination in the world.

Saturday, October 20, 2012

A Great Third Thursday in Summerville October 18, 2012-Summerville Shines

Summerville parties hearty once a month, every Third Thursday to be exact. And last night's Third Thursday was phenomenal. So outstanding, the merrymaking wasn't even dampened by the presence of the "squeezing, wrenching, grasping, scraping, clutching, covetous, old sinner," Ebeneezer Scrooge, who was compelled to be there to see his equally stingy business partner, Jacob Marley, doubtfully put to rest at crowded Hutchinson Square near the hour of 6:30 pm.

The whole downtown district was filled with the sounds of laughter and music. Short Central was dancing and singing to the vibes of the Vistas as they axed out golden oldies of the past. The outdoor seating venues of the local eateries were filled. The opened doors of the local businesses seductively welcomed Summerville's loyal residents and curious visitors with the traditional wine and cheese snacks.
    
I began my night with a quick bite to eat at Ladles, soup and a sandwich. Six o'clock was rapidly approaching, the time set for the beginning of the burial procession to start at O'Lacy's Pub. Short Central was already quite busy and the band called the Vistas were setting up in the small courtyard in the middle. But first, I headed over to Art and Soul where the costumed performers were making the necessary preparations. The acting group, consisting mainly of Summerville's talented younger ones, were getting their final instructions from Pamela Ward and tweaking their attire. Tim Lowry, a popular storyteller and leader of this procession, was milling around talking to the young actors. They posed for some quick pictures. They all looked like the poor children from the middle decades of 19th century London they were costumed to portray, Dickens style.

At 6:30pm, Tim Lowry entered the pub to announce the demise of Marley and procure sympathy for the poor children looking in the windows, the very children who were neglected and forgotten by the likes of Jacob Marley and Ebeneezer Scrooge, men only interested in turning a crown at the expense of the needy. After exiting the pub, the group proceeded up Short Central to Hutchinson Square, weaving through the Third Thursday crowd. A few words were spoken amongst the boos and hisses from the crowd, displeased at the presence of Scrooge. I approached the cold, uncaring, insensitive Mr Scrooge to ask him if he would be so kind as to donate money to a most worthy cause benefiting the unemployed and he sarcastically questioned, "Are there no Prisons? And the union workhouses-are they still in operation?"

Eddie Bush was rockin' the Montreux. Chelsea Summers was across the street at Aura Lees performing tunes from her new CD while the shoppers snacked on cheese and kielbasa from Sticky Fingers. By this time, the sun had long disappeared beyond the trees. We sat outside of Accent on Wine courting a drink while basking under the brightly lit trees of Hutchinson Square. We finished the night beneath the orange lights of Montreux's back patio recounting funny stories from our past. My friend competed in a cornhole challenge and won a cooler pack. Another successful Third Thursday for Summerville DREAM and our businesses. Man, I love this town. Enjoy the pictures and video.
Here are some of the upcoming events scheduled in Summerville and surrounding areas:

The 2012 Coastal Carolina Fair
October 25-November 4, 2012
Exchange Park

Flowertown Players presents The Hobbit
October 25, 26, 27...7:00pm
October 27 and 28...3:00pm
James F Dean Theatre
133 South Main Street, Summerville, SC
 
Tim Lowry at Art and Soul for an Amazing Halloween Spooky Tales CD release Party.
Friday, October 26, 2012...7:00pm
113 W 2nd South St, Summerville, SC

11th Annual Run with the Dolphins-5k race/walk and mile fun run
Race runs entirely through the Newington Plantation Neighborhood in Summerville.
Saturday, October 27, 2012...8am: 5k, 9:10 mile fun run

Molly Durnin will perform at Coastal Coffee Roasters
November 9, 2012...7:00-9:00pm